Wednesday, September 08, 2010

Artist Feature

Phee Interview

Awhile back you went by the name Mad P.  now you go by the name Phee why'd you decide to ditch the old stage name for this one?
Truthfully I think it evoked one too many negative presuppositions.  People assumed that the P stood for various untowardly body parts, Mad doesn't accurately reflect my general disposition, and it was a little weird that people always assumed that I was a boy until they pushed play or I stepped on stage.  Phee is pretty simple, very feminine, and an ode to my brothers who've called me this my whole life.  I may switch it up if something better comes along, though.  That's a 'Phee'-ish thing to do.


How would you describe yourself as an artist?
I have a hard time with this, so I never blame others who can't pinpoint me.  I tend to do whatever suits my fancy and that's taken my music into some really dark places, some very intellectual arenas, some playful sounds, some erogenous zones...  I am a malleable person and this is definitely reflected in my music.


You also sing and rap, which do you prefer?
I definitely prefer to rhyme.  I love to sing.  I have a pretty unique sound, but I'm no powerhouse and I definitely want to train vocally before really attributing "singer" to my repertoire.  I can carry a tune, though, which helps because some beats call for melody and I'm usually too lazy and vain to get someone else to do it.
What type of beats bring out the best in Phee?
I am in love with anything that will move you or make your head bob.  I love Flying Lotus-esque beats and grimy bass laden hip hop tracks.  On the flip side, I'm really feeling dub step, broken beat, and house and I am having a lot of fun experimenting.  I get a lot of help from producers like Brother Aten with this direction.

What producers have you worked with so far?
I have worked with DJ Fraser aka Nameless of Ninja Science and WOODSMEN and Water Bearer of the WOODSMEN for almost a decade.  They're such incredible talents and they have a knack for channeling the hardness of New York, the energy of old school hip hop, and the creativity of today's vacillating underground.  I also work with Maf Maddix akaBrother Aten who is also one of my favorite MCs.  I have been blessed by NC's own Kam Moye aka - Supastition, LA'sAspect 1, London's Sid Mercutio, and so many others.  I am always open to new sounds so please send me beats to This e-mail address is being protected from spambots. You need JavaScript enabled to view it .


Who would you like to work with in the future?
I would love to work with names like Flying Lotus, Mr. Invisible, Bugz in the Attic, Afrikan Sciences, Muhsinuh, Koop, Grizzly Bear, Vikter Duplaix, and it would be a dream to collaborate with a group like Radiohead on something one day.


Do you still collaborate with Nameless?
I do.  Life and technical difficulties have held us up a bit, but he's one of my best friends and I do my best to rock whatever he sends my way.


Getting back to the future, where do you see yourself in 5 years?
In five years I see myself on the cover of Vibe, Essence, and Fast Company!  I want to develop Ronin Records further to truly be an artist friendly, technology based label.  I don't want to worry about distribution so much as media and web notoriety.


Where do you see hip hop in 5 years?
Hip Hop will always be here, but I think over the next five years it's collective sects and pieces will learn to meld.  The rifts, regions, and rivalries of the past are so minuscule now in the face of music's globalization with the internet.


What would you say has been one of your greatest accomplishments as far as music?
For myself, honestly just realizing that I'm capable of it.  Also, being accepted into the community even though I don't feel I fit the image that's expected or stereotyped of female rappers or hip hop heads in general.


What has been one of the worst experiences you've had so far in the industry and how did you learn from it?
The closest I've come to "industry' is doing shows.  It's difficult when they're not promoted properly, when they're disorganized, or when basic necessities (ie - proper sound systems) are not functioning or non-existent.  This is why I find it best to take on as much as I can.  Suggestion to other artists...  Act like the venue, promoter, or other artists are not going to do anything.  Do as much of your own marketing and promotion as you can.  I'd even like to be able to have my own sound boards and mics, (laughs).  Micromanage much?  I know.  Shut up.

Is there anything else you would like to plug, any shout outs?
First and foremost, Maf Maddix and Luse Kanz of n'DangR Species.  Also, my buddy Esko, an ass hole but a great MC (laughs).  Just so happens Mr. Invisible is in the deck as we speak, and please support your local bloggers, photographers, musicians and artists!  I never regret when I do.  I'm always amazed at Marcus KiserPotter's Field EmceesMoire PhotographyOblivion SectorJasiaticGod CityPsyoptic RecordsJohn HairstonBlack Flag Records,Bush BroadsChdWck...  TOOOO many to name.  Uncover your local scene and you will surely be as blown away as I am.
~By J-Coleman

HustleMill Interview with SkyBlew

Why do you call yourself SkyBlew?
The meaning of the name SkyBlew is,he goes beyond the place we are now (the ground), he goes to the sky with his thoughts and lyrics, but the world is soo confused that they don't understand what music is and what going for your dreams mean, so its like the sky blows him back to earth (SkyBlew) so he can help the people by giving them something that they need to hear and something that they wanna hear but they're just not used to hearing it, but when they hear it, they will love it and wanna keep hearing more and more and even when the sky looks grey, he will Paint The Sky,Blew with his music and with the words he say.

Interview with Sean J.



 

Hustle Mill: In a nutshell who is Sean J.?

Sean J: A hip hop artist born and raised in Hawaii bringing that honest, raw music from the Ozone (Orlando)
Hustle Mill: What are some of the highlights of your music career so far?

Sean J: I've opened up for Talib Kweli and Black Eye Peas, and rocked the FL dates of the Van's Warped Tour '04 on the same stage as Immortal Technique, Non-Phixion, and Atmosphere. Got a track called "Its Nothin'" ft. Jae Millz, which is off an old album from '06, but re-done recently with my producer Soy Is Real. Nothing crazy, just making music and doing shows.

XV interview by Nanci O (video)

"This is a video interview done with XV during his recent tour stop through Chapel Hill, NC while on the road with The Clipse. In the interview XV talks about why Wichita's Hip Hop Hop has Bay-Area influences, his "gangsta" beginnings in the game, what his comic book hero super powers would be (XV's known to be a huge comic book fan), his upcoming Midwest tours in June & July, why blogs are more important to him than radio, and then tells a wild story about the craziest thing that's happened to him while on tour with The Clipse.

The video also includes clips of XV's show; during the performance the track started skipping and XV demonstrated the best way to handle that problem with finesse." Nanci O

Scottie Flippen Interview

Hustle Mill: How would you describe yourself as an emcee?
Scottie Flippen: Being an emcee is an art form in itself. I’m confident but humble at the same time and always try to give the crowd their money’s worth with a hype set. I’m not just a studio artist; I’m out here on these stages from DC to Atlanta every weekend getting it in. I try to make a little bit of music for everybody, so I feel like I’m pretty diverse an artist. Content is something that you’ll always find in my flow though, no matter the type of song.

Hustle Mill: What does Scottie Flippen get into outside of music?
Scottie Flippen: I love sports, so you can usually catch me at a game or watching one on TV. I grew up playing point guard, quarterback and shortstop, so playing ball was a year round thing for me. I think performing has replaced the adrenaline I used to get from hooping or busting heads on the gridiron. Obviously music consumes most of my time, but it’s good to kick back and relax with friends and family when I get a chance.

Hustle Mill: What type of beats bring out the best in Scottie Flippen?
Scottie Flippen: I can usually tell within the first 15-30 seconds whether I’ll fuck with it or not. I don’t like using the same old candy ass beats that everybody is into copping; I need depth to the instrumental. Give me something that I can write a REAL song too, not just put some verses on. You feel me?

Hustle Mill: Speaking of beats, what producers have you worked with in the past?
Scottie Flippen: I try to keep it in house with Turn Two Productions out of Winston-Salem as much as I can. Conbud & Mike Machete (Turn 2) have been with me from the start, and there’s a reason that I still fuck with them…they bring that heat on every track, and they have their own style. I also did a couple tracks for the album with JJ the Jenius who makes the music for Cartoon Network’s “The Boondocks.” Beyond that, I’ve done a couple joints with Tone P from up in Harlem , but if it ain’t broke don’t fix it, I’ll fuck with Turn 2 all day.

Hustle Mill: What artists have you worked with?
Scottie Flippen: 2nd Revolution is like family to me, they hold it down in Winston for sure. Renaissance & Mr. Mohalyn from what was formerly Solos Unit are always on the scene with us too. I’ve shared the stage with so many artists on the East Coast it would be tough to name them all, but I’ve done a lot of shows with Mack Jones, Ed E. Ruger, Kaze, Young Flu, etc. The list goes on and on. I don’t have a lot of features on the album but I will have a track with Pic Squad (another group from Winston), a joint called “Rooftop” I gotta lay down with Kaze, and a couple joints with Kelsey McJunkins, who is probably more talented than myself or anybody I named above…we call her “the light.”

Hustle Mill: Who would you like to work with in the future?
Scottie Flippen: J. Cole and Immortal Technique…it’s a short list.

Hustle Mill: What has been one of your greatest achievements in your music career so far?
Scottie Flippen: We could sit here and talk about awards and accolades, but more than anything else, getting a good crowd reaction at each and every show I perform at is top priority to me. I try to go so hard that nobody wants to get on stage behind me. Trophies and plaques just sit around and gather dust; if you give people something to think about, they’ll remember you forever.

Hustle Mill: What was one of the worst experiences you have in the music industry so far and how did you bounce back from it?
Scottie Flippen: I definitely feel like I’ve been looked past or stepped over a couple of times. There were a couple opening spots for some big names I had secured, but I got fucked over in the end by some groups or individuals who went under the table and agreed to perform for free. It’s all good though, someday they can open for me…for free.

Hustle Mill: Where do you see yourself as an artist in 5 years?
Scottie Flippen: I really try to take this one day at a time. Although I do have long term goals and an idea of what I want to do in the years to come, I feel like this game changes so much from day to day that artists have to be ready to evolve with it. I stay humble, don’t project myself as something I’m not and try to be realistic with where my career stands. A lot of cats want to be Jay-Z or Lil Wayne overnight…pace yourselves. It’s taken over ten years for me to put in my miles and come into my own as an artist. I’ve still got room to grow, we all do.

Hustle Mill: How was it on the Middle East Micfest Tour?
Scottie Flippen: It was a great experience, and I got to hit a lot of spots outside of North Carolina for the first time. I don’t have anything but good things to say about the other artists from the tour – Mack Jones, Kaze, K-Beta and Jah-I-Witness. It was one hell of a lineup and anybody who made it out to a show saw some great hip-hop.

Hustle Mill: Are there any wild experiences that you would like to share?
Scottie Flippen: The craziest show I ever did was at Guilford College in Greensboro . They were having this event that the art department throws every year called the Draw-A-Thon. They hired models from around the area to come and pose nude for hours at a time so the students could draw or paint the scenery. They also invited us to come and do the music for the event. So here I am rocking it out in front of a table of like eight naked ass girls. There was this thick Amazon looking shorti who had me all tore up haha. Needless to say I was a little distracted, but it was definitely a show I will never forget.

Hustle Mill: So you are working on an album to be released this summer, could you talk more about that?
Scottie Flippen: No doubt, it’s been a little over two years in the making, and I’m in the finishing touches of the recording process. It’s titled You Bouncin With Scott and will feature about 14 tracks from all over the hip-hop spectrum. I talk about a lot of social issues and injustices on the album along with a few club bangers and ballads. Songwriters are going to really appreciate this piece of wax, and I hope it will serve as a challenge for other emcees to step their game up with the content.

Hustle Mill: What are some of the topics you are talking about on this upcoming release?
Scottie Flippen: We live in a country where people’s entire lives are based around money and the pursuit or lack of it. I’m throwing all that money, cash, hoes bullshit out the window and coming at you with a project about real life and real people, not just fantasies about shoot outs and million dollar dreams. I’ve got tracks like “Proud American,” “Better Way,” “The Day I Shot the Former President” and “Writing You a Letter” that cover some of the injustices taking place in capitalist, greedy America. Then I’ve got joints like “You Bouncin With Scott,” “98,” and “So North Cack ” that are a little less serious and have that old school hip-hop feel. I’ve got something on there for pretty much everybody, and it’s as diverse as a hip-hop album is gonna get. Stay on the look out for that joint this July. Thanks for having me!

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